2RXF6 ASSEMBLY INSTRUCTIONS
1. To intall (2) and (5) below of (6) by (1).
2. To assemble (6)(9) by using componets (3)(4).
3. To fix (13) and (16) into (12) by (14).
4. To assemble (9)(12)(15) by using components (7)(8).
5. To fix (17) from top of (10), then put the (10)on the (9).
6. The revolving (17) can be fixed position on (11), when press down (11), you can revolve (17) to anothe side.
PARTS
17: Dry erase board (1set)
16: Hexagonal bolt (1pc)
15: Lower cross bar (1pc)
14: Screw (5pcs)
13: Pen tray (1pc)
12: Upper cross bar (1pc)
11: Button (1set)
10: Plug (6pcs)
9: Vertical tube (2pcs)
8: Washer (8pcs)
7: Screw (8pcs)
6: Foot tube (2pcs)
5: Wheel casters (2pcs)
4: Arc washer (2pcs)
3: Screw (4pcs)
2: Brake caster (2pcs)
1: Wrench (1pc)
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(All the above is actual, even the typos).
Finished a chapbook called FISH NOT FISH. 24 prose poems. Going to submit it places.
Finished something called DESERT SUITE and made a chapbook for it.
20 copies of DESERT SUITE have been printed & cut, but still need to be bound.
The covers have burn marks. I burned them.
WILLIAM is still forthcoming from con/crescent.
MARSH SUITE keeps growing.
Some poems will appear in the future in Wheelhouse and Apiary.
Really though, I need to submit things places.
3 poems and a statement of poetics up at Elective Affinities.
It was kind of a big deal for me to write a statement of poetics.
I mean it took me a long time. And I tried really hard.
Make sure you read the other work at Elective Affinities.
It’s a generous space to read.
Lately I’ve been seeing walls I last saw as a child.
Perception is always an embrace.
THROUGH LINE sometimes also called the crack, was first suggested by Constantin Stanislavski as a simplified way for actors to think about characterisation. He believed actors should not only understand what their character was doing, or trying to do, (their objective) in any given unit, but should also strive to understand the through line which linked these objectives together and thus pushed the character forward through the narrative.
Wrote a poem last night called KEEPING JIM HENSON HONEST AND DEAD.
Wrote another called SATELLITE (a bad poem).
A couple days ago I sat down to write but I could only write titles, not poems.
I think I’m going to go to AWP this year.
Hey! Did you know CACONRAD hosts (Soma)tic Poetry Workshops from time to time?
And did you know Conrad is hosting one in Philly on Sunday, December 12?
AND did you know there are only two spots left in said workshop?
Well, what are you waiting for? Go register »
ps- I did a (Soma)tic Workshop with Conrad last year. In a word: MARVELOUS.
Be prepared to take notes.
